Kiribath publishers began soon after the Easter attacks to help children at the Zion Church, Batticaloa affected by the attacks deal with their trauma. Since then, they've expanded to publish board books that young Sri Lankan children can relate to, with Sri Lankan contexts, places and faces.
I really enjoyed Minoli's collection of short stories, Broken Jaw. Here's a Q&A. We discussed writing, toggling between academia and fiction and more.
Ramadan in 2020 was one like no other. I spoke to Muslims around Sri Lanka about their experiences of fasting through a pandemic, how they navigated COVID-19 and their plans for Eid.
Kumar and Yaheli Sangakkara speak about their connection to Galle and the process of finding their dream holiday home.
Contributing writer - The New Establishment 100 coffee table book and the Echelon Magazine edition of this list.
The New Establishment was a list of new leaders who are building, leading and disrupting Sri Lanka's business world. More info here: https://echelon.lk/ne100/about/
An essay on Eid in Sri Lanka and the cultural elements that have influenced the island's palate.
Fidel’s first book is a departure from the cricket journalism that accompanies his by-line. We had a chat about his cricket writing and 'Upon a Sleepless Isle'.
Ps: Recommended reading to accompany this - Fidel's profile on Kumar Sangakkara's dad as well as his 2019 profile on Lasith Malinga.
Mohamed Hanif was my first Galle Lit Fest interview ten years ago so interviewing him again was an interesting exercise. We spoke about Red Birds and journalism. I am a little less starstruck and breathy with my platitudes in this 2019 interview. Just a little.
Shankari Chandran’s Song of the Sun God is a sensitive, fast-paced read and a noteworthy addition to Sri Lankan English fiction. She speaks about writing about Tamil society in Sri Lanka at a particular point in time, how her work as a lawyer informed her writing and more.
From 2016 Many of Sri Lanka’s traditional dance forms are rooted in rituals and ceremonies. Channa and Upuli Wijewardena are proponents of a dance form which melds traditional Sri Lankan dance routines, contemporary dance discipline and a marketable glamour. For traditional dance custodians, their permutations of traditional dance are seen as an adulteration of original traditional dance and commercialization of the art. But they have also been instrumental in nudging Sri Lankan dance forms into the mainstream. We had a chat about their journey.